Many of the books available on myths and legends are written for children, and even books written for an adult audience are usually collections of myths. There are few titles I am aware of that are written for the general adult audience with an interest in exploring these stories in detail. The Myths and Legends books do a nice job of compiling and organizing information from a variety of primary and secondary sources, and presenting it in a coherent way.
Subscribe to our FREE email newsletter and download free character development worksheets! I asked myself this question while working on a fantasy novel in which I envisioned a world overrun by demons.
In an effort to build a sense of increasing danger in the book, each new sort of demon my characters meet is more dangerous, more powerful, and more frightening than the last.
So off to the Internet I went in search of the top ten phobias. This is what I found: Arachnophobia fear of spiders 2. Social Phobia fear of a hostile audience 3.
Pteromerhanophobia fear of flying 4. Agoraphobia fear of an inability to escape 5. Claustrophobia fear of enclosed spaces 6. Acrophobia fear of heights 7.
Emetophobia fear of vomit or vomiting 8. Carcinophobia fear of cancer 9. Astraphobia fear of thunder and lightning Taphophobia fear of being buried alive … Phobias take common fears to the pathological level. To create that sense of progression and escalation of danger, I simply reversed that top ten list so the final, scariest demon embodies the most prevalent phobia.
As it turns out, those are fairly easy fears to apply to a monster or demon, but what about pteromerhanophobia, the fear of flying? This story became one of the most famous episodes of The Twilight Zone, a vehicle for a young William Shatner.
But add an unexpected element to a predictable situation and you enhance the potential for fear. Humans tend to have a pretty good sense of what another human is going to do next. We can tell via body language, facial expressions, and tone of voice when someone is getting angry or upset.
We sense when things might get out of control or violent. This is a creature, after all, outside our normal experience. Melissa had seen where the thing came from and even in her panic was wise enough to cover her own mouth with both hands.
The thing skittered up her neck, over her cheek, and squatted on her left eye. The wind screamed and Melissa screamed with it. It was the cry of a woman drowning in the kind of pain the charts in the hospitals can never describe. She staggered backwards, clawing at the thing on her eye. It was pulsing faster now, and Kat could hear a low, liquid sound as the thing resumed feeding.
It was a slushy sound. Want to scare the crap out of someone? Go for the eyes. Exploring truly disturbing events can be difficult for many authors to work through, in the horror genre in particular.
But fantasy and science fiction—really any genre of fiction—can ask you to plumb your own psychological depths.
So what scares you? A little creature that eats your eyes first? Our imagination, and thus our fears, becomes the true monster in this case. This application of our imagination can work in many ways. In another way, creatures may seem harmless because they appeal to the softer, friendlier side of our imagination, but become monstrous when their true nature is revealed.
When the crew of the Enterprise first encounters tribbles, their assumptions take over. They imagine the tribbles to be cute and harmless but have no specific information about their true nature.The Monster in Mary Shelley's Frankenstein There are many ideas as to who the monster really is in Frankenstein and in this essay I will explore who the monster is in the novel.
The three main ideas are whether it is Victor, society itself or indeed the monster who is truly evil. Welcome Zanakus and thank you for your essay! Here’s a brief bio: Ariel ‘Zanakus Kargoror’ Kaplan, known to residents of Norrath as a proud Barbarian Warrior and follower of Rallos Zek, played Everquest from to on the Rallos Zek server, and occasionally since on ‘classic’ style servers such as the Macintosh-only Al’Kabor server.
A monster essay on this particular novel mainly deals with the aspects regarding the creation of Frankenstein, its appearance, how it was created, but most importantly, a monster essay on Frankenstein describes the reasons of Frankenstein for becoming a monster and .
A Socratic perspective on the relationship between ignorance, human evil, and the examined life. The word 'monster' in America today can mean all of these things, though in the common vernacular it is generally used as 3 and 5 above: 'Monsters' are creatures we become on Halloween; we drive 'monster' trucks and look for jobs on 'schwenkreis.com' 'Monster' implies largeness, a quality almost universally admired in American culture.
Monster is not a friendly word, no matter the context. Technically, a monster should only be something spoken of in fairytales or legends; a mythical creature that resembles something of a mix between a human and an animal.